JAROSLAV ROSSLER’S AVANT-GARDE IDENTITY AND STUDIES


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Authors

  • Şeniz Kabadayı YUVARLAK Kocaeli Üniversitesi Güzel Sanatlar Fakültesi

DOI:

https://doi.org/10.46872/pj.162

Keywords:

Abstract Photography, Avant-garde Photography, Photogram

Abstract

After World War I, the relations that photographers living in Europe established with their technological developments and the disintegration of the society as a result of industrialization caused the work of avant-garde photographers called "Machine Age" to come to the fore. The establishment of Czechoslovakia, along with the influencing factors for other arts, made World War I a driving force for many creative artists living in it, including photographers. At such a time, Jaroslav Rössler was undoubtedly one of the most important representatives of Czech avant-garde photography in the 1920s and 1930s. In this article, Rössler's works on an international scale, his avant-garde identity and his photographs, which are among the most progressive examples of abstract art use, will be examined.

Published

2020-08-15

How to Cite

Kabadayı YUVARLAK, Şeniz. (2020). JAROSLAV ROSSLER’S AVANT-GARDE IDENTITY AND STUDIES. PEARSON JOURNAL, 5(8), 182–191. https://doi.org/10.46872/pj.162

Issue

Section

Articles